Lybia as Arrakis, Ghadaffi as Harkonen?

An editorial titled "Arrakis" [MKD] by Mitko Biljanovski, published in Macedonian daily Dnevnik (Wed, Feb 23, 2011) claims that in Dune (1965) Frank Herbert inadvertently...

"...prophesied the destiny of a [then-] young and ambitious officer... who would grow into a colonel who will be saluted by generals and statesmen, an eccentric who would prefer a thoroughbred camel to a limo... with a charming-brutal Amazon guard of 40 virgins, trained to use all kinds of weapons and martial arts."

Biljanovski likens the Ghadaffis to Harkonens, drawing direct parallels between the oil beneath the sands of Lybia to the spice melange that powers the interstellar travel of the world of Dune (links added).

The brutal bloodshed, thousands of victims, bombed protesters, hiring mercenaries to beat up the people, and the restrained reactions from international community, make clear that the "Guild" will tolerate the contemporary baron, colonel Ghadaffi, as long as he controls the huge quantites of "spice" under the dunes of Sahara.

"He who controls the spice, controls the universe!" - Herbert wrote [probably most famous quote of Baron Vladimir Harkonen].

Rebelions in North Africa and the Middle East, and the fall of autocratic leaders in Tunisia and Egypt faced the western civilisation with the uncomfortable truth - it turned a blind eye towards the undemocratic regimes in the Mediterranean, preferring stability and order, and moreover, the natural gas and the oil. [Western] Europe which piled its treasures during the era of colonialism also faced wars and autocratic regimes on its Eastern and Southern borders not so long ago, and persistently promotes democracy, human rights and rule of law as universal values. However, it quietly encouraged autocratic regimes on the opposite shores of the Mediterranean--with lucrative trade deals, investments and credits--as a protection against the potential chaos: wars, impoverished refugees, surge of militants... Enriching the ruling elites in North Africa, while the people grew poorer and more frustrated. Anger spilled in January, from Morocco to Iran. The irreplaceable Ben Ali and Mubarak fell, but the dominoes stopped at Ghadaffi, the first despot determined to defend his rule till the last bullet.

If we except the usual expressions of concern and calls against use of brutal force against protesters, Europe and America remain silent, because Ghadaffi's fall means the loss of guarantees for favorable energy deals, deals to stop the waves of immigrants, and forcible actions to root out radical Islamic groups.

While I write these lines, Ghadaffi still controls half of Lybia. If he falls, he will be just one more domino. But if he saves his hide with his tanks and airplanes, he will provide ["best practice"] example for the shaken autocratic regimes of Yemen, Bahrain, Oman, Algeria, Saudi Arabia, Iran... showing them they can survive by using tanks against protesters. The Guild already gathered in Abu Dhabi, where the annual fair of defense technologies and weapons ends today. Americans, British and Russians sell various weapons to the Arab sheiks and sultans, from assault rifles to tanks and airplanes. Just like they sold to Mubarak and Ghadaffi.

As long as the Guild depends on the spice, Arrakis will be a doomed planet.

A reminder: kings and other kinds of hereditary aristocracy by definition are dictators. Dictators for life, whose "right" to rule comes from of being God's appointees on Earth, in collusion with legalized nepotism - their status comes from their genes, i.e. who they or their parents are, not from their merit.

Update: The U.S.A. introduced sanctions against Lybia.

Bruce Sterling @ University & Cyberspace

Bruce Sterling gave a great speech about the term and the concepts of cyberspace at the COMMUNIA 2010 Conference: University & Cyberspace that took place in Turin, Italy, 30 June 2010.

The speech is available online in video format via the conference website. Click on the link "(00h 28m 00s)" on the webpage bellow the video to set it to the right minute.

Not in the video: during the speech Bruce mentions the U.S. Air Force Cyberspace Operator Badge, which you can see on the photo bellow.

After Sterling, David Orban from Humanity+ & Singularity University also gave an inspirational speech, which is also available online on the page above. I took this joyful photo of the two of them during the break a little later.

Both photos were taken on the grounds of the Politechnico in Turin. In the background you can see the bust of Giovanni Agnelli, founder of FIAT, obviously a revered figure in this Italian motor-town, like I assume Henry Ford would be in Detroit.

More "authentic" Jesus in sci-fi

From time to time Christians world over act surprised about the notion that the usual image of tall, slender, long-haired and pretty pale Jesus does not confirm with the fact that he was a Jew from Palestine and shared the attributes of that ethnic group two thousand years ago. However, two examples show that science fiction authors were quite mindful of the historical and anthropological context.

Through links provided by Vladimir Simovski, it is quite obvious that presentations of Jesus, like those of various other shared iconic characters tend to reflect the influences of time and cultures that use them. On the other hand, forensic anthropological research conducted in 2000 reconstructed "The real face of Jesus" (PDF), based on data from the Scriptures which present him as "an average I century Joe," no different from his contemporaries: somewhat short, muscular, dark-skinned, curly-haired and bearded Semites.

The character of Jesus appears in the novelette Riverworld (1966) by Philip José Farmer. Widelly acclaimed as one of the best pieces of the series with the same name, based on the premise that alien intelligence resurrects all humans on a single planet, it juxtaposes the pacifist Joshua ben Joseph with the short, dark, green-eyed cowboy actor Tom Mix.

John Kessel's Corrupting Dr. Nice (1997) is a time-travel novel based on the premises of colonial exploitation of parallel worlds developed by Bruce Sterling and Lewis Shiner in their short story Mozart in Mirrorshades, first published in Mirrorshades: The Cyberpunk Anthology (1986).

The plot partly takes place in a 40 A.D. Palestine, and characters include Yeshu and one of his apostles, Simon the Zealot. Kessel's descriptions of the Roman world occupied by American time travelers, and the attempts of the locals to deal with it through adaptation or resistance (including terrorism) are insightful and entertaining, because the characters are modeled according to the latest scientific notions of the life at the time.

New sci-fi story by Damien Krsteski

Damien Krsteski, musician and science aficionado from Macedonia, published his short story "Not in a Million Years" on his blog under CC-BY-NC-ND license.

Initially, the story was supposed to go alongside the new Machinesaw album. However, the album left on its own.

(info via Crapwerk, via Ping.mk)

Dune: Did Frank Herbert grok Bosnian/Serbian/Croatian?

The following excerpt from the first Dune novel (pg. 309) has certainly raised eyebrows of readers of the English version who are also fluent in any south Slavic language.

Deep within the cave, someone began chanting:

"Ima trava okolo!
I korenja okolo!"

Jessica translated silently: These are ashes! And these are roots!"
The funeral ceremony for Jamis was beginning.

The Fremen chant is in Serbian/Croatian/Bosnian. These closely related languages have their differences, which would not affect the above text - it would be the same in an any of them.

At first glance, the translation is deeply flawed, as the word "trava" in this form refers to grasses or herbs, while the form for ashes in the above languages would be "pepela" (from the infinitive "pepeo"). There are few solutions to this puzzle.

1. Lady Jessica made an error

Taking the contemporary meaning of the chant in Croatian/Bosnian/Serbian, Lady Jessica should have translated the chant with:

There are grasses/herbs around! And [some] roots around [too]!

This "mistake" is of no consequence later in the book, there are no incidents involving error of translation between Jessica or Paul on one hand, and the Fremen on the other.

As a device to show Jessica as capable of error ("only human" in the contemporary meaning*) it would be lost to the wast majority of readers who lack familiarity with Balkans linguistics. Therefore, we have to consider the next possibility:

2. Frank Herbert made an error

Another option is that the writer, Frank Herbert, intended the translation as "original," the "true" meaning conveyed by Jessica intended to be understood by English-language speakers, and then precluded it with a foreign-language translation to make it more exotic. In that case, he should have put the Fremen chant as

"Ima pepela okolo!
I korenja okolo!"

However, there's also a third option that would put at ease the mind of Dune fans, some of whom consider Herbert infallible.

3. Nobody's fault

No mistakes were made: Herbert grokked his Bosnian/Croatian/Serbian, Jessica's Fremen was impeccable. However, considering that the action takes place in the year of 10,191 A.D. A.G. (~ 21,264 A.D. - thanks SandChigger), it would be wise to suggest that the languages changed in the meantime, especially through mixing and matching of populations and cultural influences across various planets.

It is well-known fact that the meaning of some English words has changed in little over 400 years, from the time of Shakespeare or the King James Bible. For instance, the werb "to let" meant "to hinder", "awful" meant "deserving of awe," and "notorious" meant "famous". Or consider that in contemporary mainstream slang a person can at the same time be considered cool and hot.


* No pun intended, but the word human in the Dune novels is used to designate those with elite capabilities from the rabble, as in the "humanity test" involving the Gom Jabar.

Star Wars Purge: Seconds to Die – Comics Review

Star Wars: Purge - Seconds To Die One-Shot
by Ostrander, Hall, Lei/McKenna
Dark Horse Comics (November, 2009)


This slim (22 pages) volume based on the script by John Ostrander attempts to provide a somewhat novel perspective of the events from Revenge of the Sith as part of the relentless effort of the Star Wars franchise to presents a coherent narrative for adults while remaining within the limits of an overblown children story.

It looks like one of the main purposes of Seconds to Die is to remind the readers of the iconic portrait of hooded-gorgeous-Anakin-gone-bad from Episode III, which appears at least three times.

The yarn about Sha Koon, the last Jedi that survived the onslaught at the end of Clone Wars and then decided to incite a suicidal duel with Vader would have been interesting if her femininity was not totally inconsequential. She’s depicted as a member of species with a head akin to the Predator (without the cool gear), and her body most resembles a very tall human male. The application of gender mainstreaming in this case means blotting out any gender specifics. This comes as no surprise, as lack of sex has been the staple of the franchise since the Phantom Menace (i.e. the removal of the dynamics between Harrison Ford's Han Solo and Carrie Fisher's Leia).

The final battle is quite lame. The Cthons, “primitive” people who help Sha Koon against Vader have “some useful bits of technology” like an “electroshock net.” However, they first attack the lightsaber-armed Sith lord naked and weaponless, and he cuts them to shreds. The utter absence of projectile weapons, especially firearms, within the Star Wars universe has always seem perplexing, and can only be explained by the notion that these stories remain within the framework of fairy tales for kids that need not develop critical thinking skills.

At the end, the conclusion raises this comics to a new level of lameness. The stabbed Sha Koon has a two-page “flashback”—a vision—with a short recap of the adventures of Luke Skywalker, including the death of the Emperor, and dies “at peace.”

This “comforting” epilogue brings to mind the lucid analysis by David Brin in his legendary essay "Star Wars" despots vs. "Star Trek" populists, objecting to absolving Vader from guilt of destroying billions lives during his career because he showed repentance by not killing his own son.

Fortunately, Seconds to Die is just a one-shot. Even though the technical execution of the script and the drawings by Jim Hall (pencil), Alex Lei, Mark McKenna (ink), and Ronda Pattison (color) is of quite high quality, one can only go so far chewing the cud instead of injecting some logic, or creativity into the stale blood of Star Wars.

Ruslana’s Science-Fiction Escapade

Ukrainian music star Ruslana gained international fame using Hutzul folklore mixed with barbarian style reminiscent of sword and sorcery subgenre in her Wild Dances project, a strategic approach crowned by winning Eurovision song contest in 2004. Her following album Wild Energy(2007) showed a move towards science fiction.

For instance, the Wild Energy video allegedly was based on the book Wild Energy.Lana by Marina and Sergey Dyachenko. Its current Wikipedia article presents the plot involving a person who works as "a pixel" in huge public entertainment shows, reminiscent of immense choreographed performances in North Korea or China, even though the same style of acts has been used in the West since at least the Olympics in Los Angeles.

The environment in the video shows clear influences of The Matrix, with high quality special effects and perfectly executed costumes and choreography. The video mainly deals with an escape sequence from futuristic agoraphobic architectural structures, similar to depiction of Neo's rescue in the first part of the trilogy.

The book's plot also seems to reflect the main motive of the Matrix: protagonist exploring the artificial reality imposed on the system and finding the truth about the inner workings of the economy, and constrains placed on the members of the society.

These values are present in the second video from the same album, The Moon of Dreams, with a storyline that returns towards general fantasy. The video uses natural phenomena on an epic scale as metaphor for the emotions of the protagonists, including climate changes and turning two dead moons into glowing stars.

The costumes seem to build upon some of the motives from Wild Energy, like the bat-people who do not personify evil per se. The video presents a long-distance conversation with the American singer T-Pain, who seems to play the role of benevolent spirit/remote conscience, and does not actively participate in the love life of the main protagonists, played by enchanting Ruslana and her dashing blond counterpart. The long-distance effect is stronger in the Ukrainian version of the song as each singer using her and his mother language.

The League of Un-Copyrighted Gentry

I just enjoyed watching The League of Extraordinary Gentlemen (includes a woman), a comics-based tale of adventure and action, whose wonderfully rendered computer effects often have visual sensibility reminiscent of the best days of ID Software.

The movie is worth watching, in spite of heavy propagandistic shading & displayed misogyny. The story revolves around a group of 1899 ragtag characters who attempt to stop some arms merchants from 'promoting increased return of investment' by starting a world war. So far, progressive enough.

Sadly, the movie also glorifies imperialism, both British and American (its 'heir'), endorsing the idea that even though an individual person might not like an empire (disenchantment allowed for family reasons) s/he has to support it, since the interest of the (current) world empire coincides with the best interests of humanity and world peace. The movie portrays colonialism as benevolent and protective, especially in Africa (!); totally ignores the contemporary Balkan situation; and avoids considering the fact that, just as Washington warned, empire/alliance-building was the primal reason for the World War I.

Of course, the really extraordinary feature of this movie is that all characters come from works of art & entertainment with expired copyright, and are now in public domain. In order to fully understand the significance of this fact, here's a short excerpt from the site of the U.S. Copyright Office, from the document "Copyright Basics":

A work that is created (fixed in tangible form for the first time) on or after January 1, 1978, is automatically protected from the moment of its creation and is ordinarily given a term enduring for the author's life plus an additional 70 years after the author's death. In the case of "a joint work prepared by two or more authors who did not work for hire," the term lasts for 70 years after the last surviving author's death. For works made for hire, and for anonymous and pseudonymous works (unless the author's identity is revealed in Copyright Office records), the duration of copyright will be 95 years from publication or 120 years from creation, whichever is shorter.

Similar conditions refer to works created before the stated date. In short: the copyright (the privilege to prevent free use of certain product) may be extended up to 70 years after the death of the individual author, or up to 95 years since the publication if the copyright holder is a corporation.

This cute and fun movie would have been much poorer without the ability to re-use the characters and plot ideas ("raw materials"). League's success provides excellent proof for the need to revise the current, oppressive, legislature on intellectual property.

The movie also has educational value, providing a cross-section of some of the most important early Science Fiction & Fantasy works. Here's a handy list of (some of) the characters and authors featured in the League:

• Allan Quatermain, from the King Solomon's Mines (1885), by Sir Henry Rider Haggard (1856-1925)
• Tom Sawyer, of The Adventures of Tom Sawyer (1876), by Mark Twain (1835-1910)
• Rodney Skinner, based on The Invisible Man (1897), by Herbert George Wells (1866-1946)
• The antihero of The Strange Case of Dr. Jekyll and Mr. Hyde (1886), by Robert Louis Stevenson (1850-1894), with references to The Murders in the Rue Morge (1841), by Edgar Allan Poe (1809-1849)
• Captain Nemo from 20,000 Leagues Under the Sea (1870), by Jules Verne (1828–1905). Quatermain also mentions Mr. Fog, the hero of Verne's Around the World in 80 Days (1873). Nemo's second in command is Ishmael of Moby Dick by Herman Melville (1819-1891).
• Dorian Gray, from The Picture of Dorian Gray (1891), by Oscar Wilde (1854-1900)
• Mina Harker, from Dracula (1897), by Bram Stoker (1847-1912)
• Moriarty, the arch-villain of the Sherlock Holmes novels by Sir Arthur Conan Doyle (1859–1930)

In addition, an inquisitive question from Deckard:

Do the authors of the movie have the copyright on their new universe? Do I have the right to use the same characters and write a sequel of the movie?

[Originally published on Razvigor blog, September 9, 2003.]

Young Einstein - a reminder for steampunk lovers

It does not generally gets on lists of steampunk movies. However, Young Einstein (1988) can be rightfully considered a great genre movie, as it provides a hilarious alternative history of the Fin de siècle science and its top personalities.

You don't need to be well-versed in physics to enjoy this masterpiece by the Australian artist Yahoo Serious, but this comedy will provide much added value if you are.

First "Laptop" Discovered in Flash Gordon Comics

Probably the earliest depiction of a communication device resembling a laptop has been discovered in an ancient Flash Gordon comics by Mende Petreski of Prilep, Macedonia.

Browsing through his comics collection, Mr. Petreski stumbled upon a panel in Politikin Zabavnik weekly published June 14, 1974, featuring the forces of Ming the Merciless using a device which looks a lot like a laptop to talk to their leader.

Translation: "Our infantry will stay in the cover until the rockets silence the rebel armored cars, commander" - "Keep us posted about the flow of the operation, Major!"

This particular comics represents a Serbian translation of an episode drawn around 1937 by Alex Raymond. The title the magazine used is "Ming's Prisoners", while the contents probably covers part of the story "The Outlaws of Mongo" which the Flash Gordon Wiki attributes to Alex Raymond and Don Moore, originally published as Sunday comics from August 15, 1937 – June 5, 1938.

The Wiki mentions the spacephone as a "communication device used on Mongo," but makes no mention about the laptop-like apparatus.

The leading Macedonian portal On.net broke the news of this discovery first. It can be of interest to computer science historians and comics lovers.

Since 2004, Checker Book Publishing Group has been republishing the Alex Raymond's Flash Gordon comics in hardcopy edition (seven books in total).


Flash Gordon comics were a major hit in Former Yugoslavia, published by popular magazines such as Politikin Zabavnik and Stripoteka. While the former had a tradition of republishing both classic episodes and reruns, the later usually featured newer installments by Dan Barry.

Several scans from this historic episode are available bellow, courtesy of Mr. Mende Petreski.