Science Fiction Observer

3/22/2007

Classic Technophobic SF Movies

Terminator (1984) film poster

Art reflects, but also incites and strengthens social stances. Release of a number of especially popular technophobic movies followed the increased use of personal computers and computer games by the end of 20th century. In all of them, the technologies have some hidden or open fault, leading to danger and dehumanization. The sole exception is the firearms technology, which always functions flawlessly, while the displayed violence subliminally provides additional fodder to the feeling of fear.

Alien (1979, 1986, 1992) – developing various high technologies for space exploration will only enable some ugly monsters to devour us.

Mad Max (1979, 1981, 1985) – the future brings social decay, violence and nuclear holocaust, with a passion.

Blade Runner (1982) – extremely capable, humanoid robots turn into murderers when something irks them, like—for instance—their limited lifespan.

WarGames (1983) - teenagers + computers = end of civilization as we know it.

The Terminator (1984, 1991, 2003) – the computers are evil, robots are ruthless unstoppable killers, nuclear technology is disastrous. Run! Run!

Electric Dreams (1984) – home PC adopts demon-like role, trying to dominate the life of its owner.

RoboCop (1987) – even the most humane man can be turned into a machine. There's no turning back afterwards.

Akira (1988) – Mad Max on steroids, with added teenage angst.

The Lawnmover Man (1992) – using virtual reality leads to insanity and horror.

StarTrek: First Contact (1996) – members of the Borg civilization got too cozy with their computers. Now they want to make us do the same, or destroy us, whatever comes first.

The Matrix (1999, 2003) – the computers would not only enslave us and exploit us, they will also fix us in a way that the majority will be fine with it. Only God can save us.

The 6th Day (2000) – like in most science fiction movies starring Arnold Schwarzenegger, our future is bleak. This time, the guilty party is genetics.

I, Robot (2004) – technophobic antithesis of Isaac Asimov's Laws of Robotics (the title is the same as his most famous short story), as opposed to the Bicentennial Man (1999) which follows the original plot of a humanizing robot who fights for his human rights.

1/07/2007

The Religious Experience of Philip K. Dick by R. Crumb

Philip K. Dick Fans website presents a Robert Crumb comics about Philip Dick's "Valis" experience, first published in Weirdo comic #17 from summer, 1986.

It is an interesting graphic interpretation of a series of events which happened to Dick in March of 1974. He spent the remaining years of his life trying to figure out what happened in those fateful months.
You will find all 8 pages of this story here. The file sizes are rather large (120-140K each) so that the text was readable and the detail visible.

12/30/2006

Quake: Polygons, Monsters, and Censorship

The Beer Garden features a sordid tale about Quake I, II and III, including:

Bizarre product tie-ins: for the release of the movie "Anaconda" Sony pictures released through their website an add-on level for Quake titled "Temple of the Mist" were you made your way trough an ancient temple searching for the altar that holds the key to escape. Obviously, before escaping you have to go mano a mano with the Anaconda itself...weird uh?
The original Quake was supposed to have a medieval environment, but a few months before its release, most of the medieval-role playing aspects of the game were removed (i.e. one of the weapons was going to be a sword and there was a dragon to fight with) and the result was a game with guns but such enemies like the fiend or the death knight (these were included in the original project).

12/24/2006

Marcell Mars on Sci-Fi

Marcell Mars, net.guru of Multimedia Institute (net.culture club mama) and Creative Commons Croatia fame, talks about the influence of Science Fiction on free culture in an exclusive statement for Science Fiction Observer.